Natalie Shapero
I Tune My Body and My Brain to the Music of the Land

An important part of becoming any actor

is showing up to a room full of people who look

more or less like you, all auditioning for the same bit part.

I guess some find this threatening and/or a source

of destabilization, but, for me, my everyday activities

already leave me so threatened and destabilized

that it’s hard to imagine a throng of lookalikes

making that much of a dent. Asked why he didn’t paint

 

from nature, Jackson Pollock responded I AM NATURE.

Asked why I don’t live in an admittedly flawed

utopian experiment in which work is substituted

for property as the basis of social belonging,

I say I AM AN ADMITTEDLY FLAWED UTOPIAN

EXPERIMENT IN WHICH WORK IS SUBSTITUTED

FOR PROPERTY AS THE BASIS OF SOCIAL

BELONGING. I spend all day reading magazine

columns and spitting back my own stories. My Most

Embarrasing Moment would have to be a tie

 

between when I forged NUMBER 1 (LAVENDER MIST)

using five separate pigments that weren’t developed

until years after Pollock’s death, and that time

I strutted through the neighborhood assuming

nobody but me could tell I was dead, when actually

half the street was texting each other SHE THINKS

WE DON’T NOTICE [eyeroll gif]. I want to be a better

person. Divest from bad habits. I also want to

just hop in the hedge and hide from it all, like the thirdmost

surrendered domestic animals (rabbits).

 
Found In Volume 53, No. 02
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Natalie Shapero
About the Author

Natalie Shapero  is the author of the poetry collections Popular Longing (2021), Hard Child (2017), and No Object (2013), and she has performed at The Pulitzer Arts Foundation, The Poetry Project at St. Mark’s, and elsewhere. She lives in Los Angeles and teaches writing at UC Irvine.