Matthew Dickman
The Animal Kingdom

 

 

When Owen was born

I was afraid,

 

like all new

fathers are afraid,

 

that I would drop

him and break

 

his head, still

shaped like a cone,

 

the shape his head

took so smartly

 

to slip out

of his mother’s body

 

and pierce the world.

Soon I had endless

 

dreams where the sky

broke and the soul

 

of the sky slipped

out and moved like a giant

 

pink squid above

the back porch,

 

the street, the grass.

When I woke

 

I would go to him

and lift him up

 

and rock him and move

my fingers along

 

his new spine

like a harp. I had

 

what you would call

anxiety. I kept thinking

 

about what would happen

if I stepped on him,

 

on his head as he lay

on the wool

 

baby blanket,

how my foot would feel

 

coming down

and through him, his baby-skin,

 

his beginning-skull.

How the whole world

 

would turn into

a kaleidoscoped coffin—

 

repeating forever.

I kept thinking

 

what would happen

if I forgot him

 

in the car, in the sun

while I walked

 

through the cool

air of some winding

 

grocery aisle,

how the plastic parts

 

of his carseat

would melt into him,

 

and him into it, how his

diaper would be

 

too full and too hot.

And I thought about all

 

those fathers

in the animal kingdom

 

who eat their young,

eat their hearts out

 

of their chests,

not because they are hungry,

 

or jealous, no,

not because of some ancient,

 

locked-in thread

of DNA that has yet to evolve,

 

but because they do not

know how to eat themselves,

 

which is what they really

want, to devour

 

the thing they hate

the most, the star-filled

 

wagon of the Self, that

bag of meat and bones

 

they did not ask to be.

I did not ask to be.

 

But here I am, in love,

cradling this hairless

 

human animal who comes

from a kingdom

 

of upright ants

with fingers and toes.

 

And my only job now,

in all the world,

 

is to not destroy my kids,

and in turn,

 

teach them not

to destroy others,

 

even though, of course,

I will and they will,

 

locked-in as we are

and free as any other animal.

 

Found In Volume 50, No. 04
Read Issue
  • Matthew Dickman
Matthew Dickman
About the Author

Matthew Dickman is the author of Mayakovsky’s Revolver (2012); Wonderland (2017), Husbandry (2022); and All-American Poem (2008), the recipient of The Honickman First Book Prize, The May Sarton Award from the American Academy of Arts and Sciences, and the Kate Tufts Award.