For the sake of living longer, we should not
eat this. The bottomless pan of mac and cheese
stringing itself from itself to the porcelain plate
as the television drones and the men
with glasses like mine—the frames that make us look
smarter than what we are—talk about Florida, its shores,
its hurricanes, prisons and poisons, before All that killing,
killing, killing, for the sake of killing, my mother says as we split
the tender meat falling from the bone of the bird buried
in barbecue. To sleep peacefully, I’ve made a habit of watching
videos of greyhounds hunting plastic eggs for the treats inside.
Always another animal wants to feed on our insides, to lick the walls
of our throats. The buffalo with its head bowed ready to blunt
the horse carrying empire. The steel spread around the grip
of sculpted walnut encased in glass. At the Met, we view this art,
The Art of London Firearms, the beauty of European gunmaking
packaged and brilliant because it is a violence not meant for us
to succumb to. At our American table, eating cheese, imported from Rome,
cured pieces of pancetta, imported from Rome, and wine,
from the fridge,
I remember reading that if it was possible to domesticate the zebras,
it would be
over for them. All the force we claim as talent would be used
to keep the imported
zebra-horse hybrids hostage and galloping on the grasslands
of Gainesville
or near the swamps of the Everglades. All their mothers braying
from lack,
back home in Africa. But, what do you know about being tamed?
Each of us now in our petless-zebra world are wondering when
the next
body will fall and how long it will take the men whose tongues rise
and bow
like the heads of buffalo to blame the violence not meant for them
on something
that is not the barrel, not the bullet, walnut, rosewood, platinum, or plastic carving
death in our insides. No, we want the smoke, just like the gazelle
and the little man
on his yellow chariot eyeing her body for burial. We are so barbaric we are human,
everyday pretending we don’t know surviving requires us to hurt someone.
This poem is the winner of the 2023 Stanley Kunitz Memorial Prize.