Toi Derricotte
Touching/Not Touching: My Mother
i. 
That first night in the hotel bedroom, 
when the lights go out, 
she is already sleeping (that woman who has always 
claimed sleeplessness), inside her quiet breathing
like a long red gown. How can she 
sleep? My heart beats as if I am alone, 
for the first time, with a lover or a beast. 
Will I hate her drooping mouth, 
her old woman rattle? Once I nearly 
suffocated on her breast. Now I can almost 
touch the other side of my life. 
 
ii.
Undressing 
in the dark, 
looking, 
not looking, 
we parade before each other,
old proud peacocks, in our stretch marks
with hanging butts. We are equals. No 
more do I need to wear her high heels to step
inside the body of a woman. 
Her beauty and strangeness no longer seduce 
me out of myself. I show my good side, my
long back, strong mean legs, my thinness that
came from learning to hold back 
from taking what's not mine. No more
a thief for love. She takes off her 
bra, facing me, and I see those gorgeous
globes, soft, creamy, 
high; my mouth waters. 
How will I resist
crawling in beside her, putting 
my hand for warmth
under her thin night dress?
 
Found In Volume 17, No. 04
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Toi Derricotte
About the Author

Recipient of the Academy of American Poets’ 2021 Wallace Stevens Award and the Poetry Society’s 2020 Frost Medal for distinguished lifetime achievement in poetry, Toi Derricotte is the author of 2019 National Book Awards Finalist I: New & Selected Poems (University of Pittsburgh Press, 2019), The Undertaker’s Daughter (2011), and four earlier collections of poetry, including Tender, winner of the 1998 Paterson Poetry Prize. Her literary memoir, The Black Notebooks, received the 1998 Anisfield-Wolf Book Award for Non-Fiction and was a New York Times Notable Book of the Year.